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While other songs in the film performed better in its immediate release, “Aati Kya Khandala” has stood the test of time and, full disclosure, was the only time I managed to give this film my full attention. Still the film brought us some important moments of 90s cinema, including the iconic “Aati Kya Khandala” and the infamous “Dus Ki Daud” sequence. And Mukherji’s right to say her voice “did not suit the character,” after all Alisha ate up only a third of the screen time and spent most of it crying, screaming, singing songs, or kissing Siddhu’s neck. Shetty, on the other hand, gets the job done. It’s sensuous in a way that’s hard to put your finger on, husky but light, full of the right notes and emotions.
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I suppose two decades ago nobody knew better, but Mukherji’s voice quality is unique. For those who don’t know, high-pitch voice actress Mona Shetty dubbed Mukherji’s voice in this film, and I swear I would not have made it through without the three glasses of wine I consumed while experiencing this unique torture. And while she looked great, it only took five minutes into her screen appearance for me to consider turning off the film.
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Straight up, I agreed to watch this movie for Mukherji. Long story short, Khan unknowingly lures his beloved Alisha’s brother to his death, and it is this guilt that causes him to go against Ronnie and change his ways. It is on one such job he meets Alisha (Mukerji), a rich girl fallen in with a biker gang (I promise that this is relevant to the plot), and eventually her brother, a hotelier who has left home and is fighting against our don Ronnie.
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He spends most of his time committing petty thefts with his friends or running odd jobs (Read: Delivering threats) for his brother’s boss, the neighborhood don. The plot of “Ghulam” is simple enough: Orphaned Siddharth “Siddhu” Marathe (Khan) is an amateur boxer running with the wrong crowd. It was also Mukherji’s first runaway mainstream success, having made her debut in the year prior with “Raja Ki Aayegi Baraat” (you may vaguely remember someone blowing up a kitchen and running onto the lawn screaming - this is that film). It saw Khan in a role that was quite familiar to him at the time - a rough, good-for-nothing kind of boy whose chance meeting with a girl stirred up the morals buried deep in his heart. I’ll keep it simple: Films like “Ghulam “ stump me.ĭeclared a Superhit by Box Office India in 1998, the action-drama film starring Aamir Khan and Rani Mukherji grossed 200 million rupees.